![]() ![]() ![]() However, those are just the minimum number of weeks set forward. Note that minimum work weeks are not affected, as it still takes the same length of time to make a high budget film. If your project falls between 3.75 and 8.5 million dollars, you’ll have to pay your directors 25% less than they would make under the basic DGA theatrical contract. Low budget - levels 4A and 4B ($3.75 MM - $8.5 MM)Īs in the previous DGA Rate Card, the 2023-2024 DGA rates for levels 4A and 4B are identical. The weekly salary is 10% less than it would be on the basic DGA theatrical contract, also reflected in the compensation beyond guaranteed work and daily employment rate. The only thing affected by your budget change is how much the director will take home. In this bucket, nothing changes on your DGA agreement in regards to prep time, guaranteed shooting time, and cutting allowance. Once you drop a dollar before 11 million dollars, your project falls into a “low budget” DGA production (I know). You can download the DGA rates here.ĭaily Employment Production Fee, Location If you’re making a short or documentary, this is also your contract, regardless of your budget. Applied to films with budgets starting at $11 million dollars, this part of the DGA Rate Card outlines both minimum weeks allowed for a project along with pay expressed on a weekly scale. If you’re making a studio flick, then chances are this is where you’ll find your DGA rates. If your production goes beyond five days in a week (which does happen), you’ll have to pay your director per state overtime laws. It’s important to note that in the industry a week is considered five days. Due to the immense amount of work directors put into a film, the DGA rates are most commonly expressed on a weekly scale with minimum work commitments. Like SAG rates, the DGA minimums are based on the budget of your project. Here, you can find DGA rates for films across a variety of budgets. If you’re producing a film, then look no further than the DGA Theatrical agreement. You can see the new pension and health plan numbers here.įeature films, documentaries, and short films fall under this DGA agreement - DGA Rate Card 2023. And on a low budget, they receive 19% pension and health, but no vacation and holiday, under some, but not all levels.Īs you can tell, the contract language here can often become confusing and widely varied, so always consult with the DGA first. On a full budget feature, a UPM or AD gets 19% pension and health, approximately 2% training and qualification, and 8% vacation and holiday. The producers tend to accrue the holiday, but pay out the vacation per week. Effective January 1st, 2024, applicable holiday pay will increase to 4.583%. For the specifics here, we recommend consulting the DGA directly.Īdditionally, on full theatrical and established TV, there is vacation and holiday to consider-which is an additional 8%, (where 4% is vacation and 4% is holiday). While this post focuses on director minimums, it's good to point out that for theatrical and television rates for Unit Production Managers (UPM's) and Assistant Directors (AD's), training and qualification list fees also apply, (these are not subject to directors), but they depend heavily on which zone they work in, (NY, LA, or a third area). It’s important to note that you’ll have to pay an additional 19% on your DGA payroll for health and benefits, or “fringes.” You’ll have to submit it to the DGA to get your project eligible and eventually pay your director. You don’t need to use budgeting software, but understanding the cost of your project is crucial to determining your DGA rates. Have a preliminary budget readyīefore going into the rates, be sure to have at least a rudimentary budget of your project. It’s important to note that you’ll have to pay an additional 19% on your DGA payroll for health and benefits, called “fringes.” You can see the new pension and health plan numbers here. However, if you have to add days beyond the minimum, you’ll have to pay on a daily or weekly scale. Under most DGA contracts, you pay a lump sum for the entire production process. Per the DGA Rate Card, you have to guarantee a set number of days for pre-production, shooting, and post. Unlike SAG rates, DGA rates are far more than just a set price for a week or day. DGA rates depend on the type of production you’re producing, your schedule, as well as your budget. DGA rates are the minimum amounts of money the Directors Guild of America will allow its members to work for on a given project. ![]()
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